How Spain’s greatest artform became a tool for political protest.
Matthew Machin-Autenrieth, Leverhulme Early Career Fellow, explores how flamenco is used as a vehicle for political protest and a catalyst for social change.
He considers two case studies: flamenco flashmobs and a performance that raised awareness about immigration.
Talk first delivered at the University of Cambridge Festival of Ideas 2015.
You can read more here: ‘Flashmobs and Flamenco: how Spain’s greatest artform became a tool for political protest’